Adisa's Big Adventure

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(via Afternoon Endurance « SlackStack)

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|Episode 024|

Some Other Color, by Alexander Chereshnev (feat. Adisa McKenzie) @ Mix Galaxy Records

BY-NC

mana-junkie:

If I incantation
a particular way,
it helps to set the mood.

You can use it reliably
on those kind of days.

It can be a digital version
of a record groove.


Anyone can put flame to food.

Another. Calm. ID.

Helps the Ego split.
Super-Ego quit.

Leaving no directions for us,
that’s why we loop the chorus.


Part 2

While I stand one,
and you stand two,
we know its all the same
but we still push the blues.

And we did it for the greyish green.
and to paint a scene,
with a flare for the dramatic
isn’t it “Tragic”
We’ve been “trapped” here in this last act

Before the curtain closes on the whole bogus show
Sarcasm is no joke.
Slow gropes at hope disguised as hope.

Then comes the folk.

Part 3
Even in the form of sign waves,
signs that don’t stay -
put -
the play button on the hook.
I invite you to take a look,
or a listen.

While the bass line draws to a close.

Part 4

I’m ready when you’re ready.
I’m ready when you’re ready.
I’m ready when you’re ready.
I’m ready when you’re ready.

Part 5

Now we’ve been fashionably late before.
Skip the coat check,
head straight to the dance floor.

That’s the kind of life I want to live.

comfortable in my position,
with plenty of bliss to give.

Part 6

Blisters give -
way to calluses
when its time to grow.

Or lessons learned,
we take our turn,
Upon the rocky road.

Then our actions
mimic our memories
and off we go.

We could have sat there
and let it come to us,
or so we’re told.

But then we would have missed the show.

Part 7

I’m ready when you’re ready.
I’m ready when you’re ready.
I’m ready when you’re ready.
Source: tripknight.com

SculptureCenter: Andres Bedoya, Ultra Madre, 2009, mixed media installation and...

sculpture-center:

Andres Bedoya, Ultra Madre, 2009, mixed media installation and performance, 8’ x 15’ x 5’, National Museum of Art, La Paz, Bolivia.

Andres Bedoya was born in La Paz, Bolivia. He lives and works in La Paz and New York City. He has presented work at the Museo Nacional de Arte and Kiosko…

TripKnight Collective.
www.tripknight.com 
Presents: Does This Acid Make Me Look Fat?
http://soundcloud.com/tripknight/does-this-acid-make-me-look-fat
 
Part 1

If I incantation
a particular way,
it helps to set the mood.

You can use it reliably
on those kind of days.

It can be a digital version
of a record groove.


Anyone can put flame to food.

Another. Calm. ID.

Helps the Ego split.
Super-Ego quit.

Leaving no directions for us,
that’s why we loop the chorus.


Part 2

While I stand one,
and you stand two,
we know its all the same
but we still push the blues.

And we did it for the greyish green.
and to paint a scene,
with a flare for the dramatic
isn’t it “Tragic”
We’ve been “trapped” here in this last act

Before the curtain closes on the whole bogus show
Sarcasm is no joke.
Slow gropes at hope disguised as hope.

Then comes the folk.

Part 3
Even in the form of sign waves,
signs that don’t stay -
put -
the play button on the hook.
I invite you to take a look,
or a listen.

While the bass line draws to a close.

Part 4

I’m ready when you’re ready.
I’m ready when you’re ready.
I’m ready when you’re ready.
I’m ready when you’re ready.

Part 5

Now we’ve been fashionably late before.
Skip the coat check,
head straight to the dance floor.

That’s the kind of life I want to live.

comfortable in my position,
with plenty of bliss to give.

Part 6

Blisters give -
way to calluses
when its time to grow.

Or lessons learned,
we take our turn,
Upon the rocky road.

Then our actions
mimic our memories
and off we go.

We could have sat there
and let it come to us,
or so we’re told.

But then we would have missed the show.

Part 7

I’m ready when you’re ready.
I’m ready when you’re ready.
I’m ready when you’re ready.

bullfight2012:

Join us and be ANOTHER BUSINESS AGAINST THE AMENDMENT!

307 Knox Records

Alivia’s

Altered Image

Beyu Caffe

Chubby’s Tacos

Dain’s Place

Elmo’s Diner

Francesca’s

Fullsteam Brewery

Hunky Dory

James Joyce

Nataraja

Regulator Bookshop

Self Help

Shed Letter Press

The Cave

The Pinhook

Tip-Top Cycles

Toast

Vaguely Reminiscent

The love story that changed history: Fascinating photographs of interracial marriage at a time when it was banned in 16 states

Just 45 years ago, 16 states deemed marriages between two people of different races illegal.

But in 1967, the U.S. Supreme Court considered the case of Richard Perry Loving, who was white, and his wife, Mildred Loving, of African American and Native American descent.

The case changed history - and was captured on film by LIFE photographer Grey Villet, whose black-and-white photographs are now set to go on display at the International Center of Photography.

Twenty images show the tenderness and family support enjoyed by Mildred and Richard and their three children, Peggy, Sidney and Donald.

The children, unaware of the struggles their parents face, are captured by Villet as blissfully happy as they play in the fields near their Virginia home or share secrets with their parents on the couch.

Their parents, caught sharing a kiss on their front porch, appear more worry-stricken.

And it is no wonder - eight years prior, the pair had married in the District of Columbia to evade the Racial Integrity Act of 1924, which banned any white person marrying any non-white person.

But when they returned to Virginia, police stormed into their room in the middle of the night and they were arrested.

The pair were found guilty of miscegenation in 1959 and were each sentenced to one year in prison, suspended for 25 years if they left Virginia.

They moved back to the District of Columbia, where they began the long legal battle to erase their criminal records - and justify their relationship.

Following vocal support from the Presbyterian and Roman Catholic churches, the Lovings won the fight - with the Supreme Court branding Virginia’s anti-miscegenation law unconstitutional in 1967.

It wrote in its decision: ‘Marriage is one of the basic civil rights of man, fundamental to our very existence and survival.

‘To deny this fundamental freedom on so unsupportable a basis as the racial classifications embodied in these statutes, classifications so directly subversive of the principle of equality at the heart of the Fourteenth Amendment, is surely to deprive all the State’s citizens of liberty without due process of law.’ [Read more] 

(via darqefreaker)